Miranda Lichtenstein

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Born 1969, New York
Lives and works in New York


EDUCATION
1993
MFA, California Institute of the Arts, Valencia, CA
1990
BA, Sarah Lawrence College, Bronxville, NY


SOLO EXHIBITIONS
2011
The Suburban, Oak Park, IL

2010
Elizabeth Dee Gallery, New York, NY

2009
Gallery Min Min, Tokyo

2007
Elizabeth Dee Gallery, New York
Gallery Min Min, Tokyo

2006
Miranda Lichtenstein, Hammer Museum, Los Angeles (catalogue)
The Searchers, Mary Goldman Gallery, Los Angeles

2005
The Searchers, Gallery Min Min, Tokyo
The Searchers, Elizabeth Dee Gallery, New York

2004
Danbury Road, Gallery Min Min, Tokyo

2003
Landmark, Elizabeth Dee Gallery, New York
Thin Air, Mary Goldman Gallery, Los Angeles
Thin Air, Gallery Min Min, Tokyo

2002
Cyberjaya, Dee/Glasoe (project room), New York

2001
Sanctuary for a Wild Child, Goldman Tevis, Los Angeles
Sanctuary for a Wild Child, Whitney Museum at Phillip Morris, New York (catalogue)
Lovers Lane, Leslie Tonkonow, New York

2000
Lovers Lane, Goldman Tevis, Los Angeles

1999
Los Angeles Contemporary Exhibitions, Los Angeles

1998
Danbury Road, Steffany Martz Gallery, New York

1997
Wild Child, Three Day Weekend, Los Angeles


SELECTED GROUP EXHIBITIONS
2011
Channel to the New Image, Freidrich Petzel Gallery, New York, NY
Opera Seria: Serial Aspects in Contemporary Art, Galerie Nikolaus Ruzicska, Salzburg
Involuntary (curated by Neville Wakefield), fordPROJECT, New York, NY

2010
The Fifth Genre, Galerie Lelong, New York, NY
Seven Summits, Mount Tremper Arts, Mount Tremper, NY
Light Work, Urban Video Project, Syracuse, NY
Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York, NY

2009
edia Int'l Group, Foundation Barbin, New York
Otras Voces Otros Ambitos, Galeria Marta Cervera, Madrid, Spain

2008
The World Is All That Is the Case, Hudson Franklin Gallery, New York

2007
Currents: Recent Acquisitions, Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Real Uncertain: A Conversation Between Painting and Photography, UCR/California Museum of Photography, Riverside, CA
In Monet’s Garden: Artists and the Lure of Giverny, Columbus Museum of Art, Columbus, OH & Musée Marmottan, Paris, France
Stalking Suburbia, The Westport Arts Center, Westport, CT
NeoIntegrity, Derek Eller Gallery, New York

 

2006
Strange Powers, Creative Time, New York (catalogue)
Ridykeulous, Participant, Inc., New York
Cluster, Espacio El Particular, Mexico City

2005
Wish, Center on Contemporary Art, Seattle
Art in the Garden, Gallery at General Electric, Fairfield, Connecticut
Group Show, Elizabeth Dee Gallery, New York

2003
The City’s Edge: Images of the Changing Landscape, Cranbrook Art Museum, Bloomfield Hills, Michigan Giverny, Salon 94, New York
Afternoon Delight, Caren Golden Fine Art, New York
Teenage Rebel, John Connelly Projects, New York
City Mouse, Country Mouse, Space 101, Brooklyn

2002
Guide to Trust No. 2, Yerba Buena Center for the Arts, San Francisco (catalogue)

2001
Detourism, Renaissance Society, University of Chicago (catalogue)
Nightscapes, Stadthaus Ulm, Ulm, Germany (catalogue)
Extraordinary: Place in American Photography, Madison Arts Center, Madison, WI (catalogue)
Song Poem, Cohan, Leslie and Brown, New York
World Without Ground, Chase Freedman Gallery, Hartford, CT
Painting/Not Painting, White Columns, New York
The Altoids Collection, New Museum of Contemporary Art, New York (traveled to Los Angeles Contemporary Exhibitions)

2000
Dusk, I – 20 Gallery, New York (catalogue)
Monster, Gracie Mansion, New York
Group Show, Leslie Tonkonow, New York
Picturing Architecture: From Space to Place, Amelie A. Wallace Gallery, SUNY College of Westbury, Westbury, NY

1999
Playing Off Time, Aldrich Museum of Contemporary Art, Ridgefield, CT
Friends and Neighbors, Three Day Weekend, Los Angeles (catalogue)
Gallery Artists, Steffany Martz Gallery, New York

1998
Spectacular Optical, Thread Waxing Space, New York (catalogue)
Spectacular Optical, Museum of Contemporary Art, Miami
Science, Feature Inc, New York
Yellow, organized by Luke Dowd and John Tevis, Brooklyn, NY

1996
The Weather Channel, Art Initiatives, New York
Blake Rayne, Greene Naftali Inc., New York (catalogue)
Framed, Belgarde Gallery, New York


SELECTED BIBLIOGRAPHY
2011
Pollack, Barbara, "Miranda Lichtenstein," Art in America, March

2010
Barone, Mary, “Considering the Image,” Artnet, December 7.
Aletti, Vince, “Miranda Lichtenstein,” New Yorker, December 6.
Schwendener, Martha, “Focus Here!” The Village Voice, December 1.
Bollen, Christopher, “Wild Flowers,” interviewmagazine.com, November 2.

2009
Philbin, Ann, Christopher Miles, James Elaine, Lauren Bonn, Hammer Projects 1999-2009, Hammer Museum, Los Angeles, CA (exhibition catalogue).
Open City, Issue 28, Winter.

2008
Pollack, Barbara, 'Faces of Photography Now: Eight Under 40,' Departures, November/December, pg. 173, 176.
Falconer, Morgan, 'Miranda Lichtenstein', Art Review, January, pg. 119.
Rudick, Nicole, ‘Miranda Lichtenstein’, Artforum, January, pg. 282.

2007
‘Miranda Lichtenstein’, The New Yorker, Nov 19.
Smith, Roberta, ‘Miranda Lichenstein’, The New York Times, Nov 9.
Genocchio, Benjamin, “They Walk (Silently) Among You: The Suburban Photographers,” New York Times, September 30.

2006
Mitchell-Innes & Nash, “The Artists’ Artists: Best of 2006,” Artforum, December, pg. 111.
Scott, Andrea, “Review, Strange Powers”, TimeOut New York, August 31 - September 6.
Myers, Holly, “Art Review,” Los Angeles Times, February 14.

2005
Sundell, Margaret. “Miranda Lichtenstein: Elizabeth Dee Gallery,” Artforum, September.
Goodbody, Bridget L. “Miranda Lichtenstein,” Time Out, May 26 - June 1.
Schwendener, Martha. “Miranda Lichtenstein: Elizabeth Dee Gallery,” Artforum.com, May 17.
Lichtenstein, Miranda. “Gardening at Night,” V Magazine, Winter 2004/05.

2004
0-196, “Art Worth, Vol. 008: Miranda Lichtenstein,” Addictam (Tokyo), June.
Reed, John. “An Empty City of the Future: Cyberjaya, Malaysia,” Paper Sky, Summer.

2003
Myers, Holly. “Capturing the Wonder of a Place,” The Los Angeles Times, November 7.
Mar, Alex. The New York Sun, November 6.
Scott, Andrea. “Miranda Lichtenstein: Elizabeth Dee Gallery,” TimeOut New York, October 30.
“Miranda Lichtenstein,” The New Yorker, October 27.
“Miranda Lichtenstein: Elizabeth Dee Gallery,” Artforum.com, October.
“Giverny”, The New Yorker, July 28.
“Giverny,” Time Out New York, July 24–31.
Cohen, David. “Giverny at Salon 94,” The New York Sun, July 17.
“Afternoon Delight,” Time Out New York, July 10-17.
“Afternoon Delight,” The New Yorker, July 7.
Mar, Alex “Gallery-Going,” The New York Sun, July 17.

2002
“Miranda Lichtenstein,” The New Yorker, June 17 & 24.
Hunt, David. “Miranda Lichtenstein: Cyberjaya,” Planet Magazine.
“10 Good Shows.” LA Weekly, December 28, 2001–January 3.

2001
“Miranda Lichtenstein,” Tema Celeste, November-December.
“Our Inner Feral Child.” The Los Angeles Times, September 14.
Mahoney, Robert, “Miranda Lichtenstein, Sanctuary for a Wild Child”, TimeOut New York, Sept 6-13.
Powell, Gus. “Miranda Lichtenstein.” The New Yorker, September.
Schmerler, Sarah, “Miranda Lichtenstein, ‘Lovers Lane’”, Art on Paper, June.
Laib, Jeffrey. “Welcome to Cyberview Gardens,” Dwell, February.
Artist’s project, Open City, Winter.

2000
Gaines, Malik. “Miranda Lichtenstein: Scenes from Lovers Lane,” Artext, August-October.
Jesella, Kara. “American Gothic,” Nylon, September.
Rush, Michael. “The Aldrich Museum of Contemporary Art/Ridgefield,” Art New England, February/March.

1999
Caniglia, Julie. “Miranda Lichtenstein: Danbury Road,” Sidewalk, December.
Ganis, William V. “Miranda Lichtenstein at Steffany Martz,” Art in America, July.
Artist’s project, Zing Magazine, Spring.
Frank, Peter. “Art Picks of the Week,” LA Weekly, January 22-28.
Ziolkowski, Thad. “Miranda Lichtenstein at Steffany Martz,” Artforum, May.
Miller, Barbara. The New Flesh,” Afterimage, March-April.
Mihalavic, Andrea. “Studio Visit,” Nyarts, April.

1998
“Spectacular Optical”, Flash Art, November/December.
Aletti, Vince. “Voice Choices,” Village Voice, December 22.
“Clean Sheets”, New York, December 14.
Boodro, Michael. “Home Alone,” Vogue, November.
Turner, Elisa. “Exhibit explores horror of ho-hum, everyday objects,” Miami Herald, October 18.
Smith, Roberta. “Spectacular Optical,” New York Times, July 3.


CATALOGUES
2006
Strange Powers, exhibition catalogue, Creative Time, New York
Miranda Lichtenstein, exhibition catalogue, Hammer Museum, Los Angeles

2002
Guide to Trust No. 2, exhibition catalogue, Yerba Buena Center for the Arts, San Francisco

2001
Sanctuary for a Wild Child, exhibition catalogue, Whitney Museum at Phillip Morris, New York
Detourism, exhibition catalogue, Renaissance Society, University of Chicago
Nightscapes, exhibition catalogue, Stadthaus Ulm, Ulm, Germany
Extraordinary: Place in American Photography, exhibition catalogue, Madison Arts Center, Madison, WI

2000
Dusk, exhibition catalogue, I – 20 Gallery, New York

1999
Friends and Neighbors, exhibition catalogue, Three Day Weekend, Los Angeles

1998
Spectacular Optical, exhibition catalogue, Thread Waxing Space, New York

1996
Blake Rayne, exhibition catalogue, Greene Naftali Inc., New York


GRANTS AND AWARDS
2002
The Giverny Residency Program and Fellowship, Claude Monet Foundation, Giverny, France


COLLECTIONS
The Hirshhorn Museum, Washington, DC
Madison Museum of Contemporary Art, Wisconsin
New Museum of Contemporary Art, New York
LaSalle Bank Photography Collection, Chicago
Solomon R. Guggenheim Museum, New York
Henry Art Museum, Seattle, WA
Neuberger Museum, Purchase, NY

  • Miranda Lichtenstein in "Currents: Rrecent Acquisitions" at the Hirshhorn 11 Oct 2007

    October 18, 2007 – March 16, 2008
    On view in the Hirshhorn's lower-level galleries this fall are a number of important recent acquisitions, including a selection of works acquired through the Contemporary Acquisitions Council (CAC), a membership group that brings works by emerging artists into the museum's collection. During its inaugural year, the group helped the museum acquire 22 new works in a range of media by artists from DC, London, Dublin, New York City, Toronto, Mexico City and elsewhere. Also on view will be other recent additions to the collection such as Lee Friedlander's "The Hirshhorn Museum Sculpture Garden" (1978), a suite of 52 gelatin silver prints taken of the building and garden soon after the museum opened. The selection of acquisitions for this exhibition reflects the great diversity of works being acquired by the Hirshhorn, ranging from conceptual photography to sculpture. This exhibition is organized by Curator Anne Ellegood.

    HIRSHHORN

  • Hammer Projects: 1999-2009

    by Ann Philbin (Author), Christopher Miles (Author), James Elaine (Author), Lauren Bon (Author)

    Features Miranda Lichtenstein and Ryan Trecartin

    Since 1999, the Hammer Museum's Hammer Projects series has furnished international and local artists with a laboratory-like environment to create new work or to present existing work in a new context. Published to commemorate the tenth anniversary of the series, this volume compiles all 80 of the projects featured so far--by artists including Amy Adler, Edgar Arceneaux, Fikret Atay, Walead Beshty, Paul Chan, Aaron Curry, Tara Donovan, Nathalie Djurberg, Tony Feher, Mark Grotjahn, Mark Handforth, Arturo Herrera, Elliott Hundley, Jim Isermann, Runa Islam, Jesper Just, Emma Kay, Margaret Kilgallen, Barry McGee, Paul Morrison, Paul Pfeiffer, Hiraki Sawa, Simon Starling, Kaari Upson, Kara Walker, Phoebe Washburn, Pae White and Sun Xun--alongside texts by Hilton Als, Regine Basha, Aaron Betsky, Nayland Blake, Alex Farquharson, Russell Ferguson, Malik Gaines, Tim Griffin, Massimiliano Gioni, Dave Hickey, Vasif Kortun, Libby Lumpkin, Midori Matsui, Linda Norden, Raphael Rubinstein, Laurie Simmons, Dean Sobel, Ali Subotnick and Steven Vincent.

    • Hardcover: 432 pages
    • Publisher: Hammer Museum (December 31, 2009)
    • Language: English
    • ISBN-10: 0943739357
    • ISBN-13: 978-0943739359

    To order, please visit the Hammer bookstore

  • Miranda Lichtenstein: The Searchers

    The Searchers weaves together the artist’s photographs with found images, delving into subcultures of spiritualism, escapism and consciousness-raising. Taking the viewpoint of an observer, The Searchers creates a web of deep belief that is dark and inspiring, chaotic and restful all at once.

    2005, English
    4.5 x 6 inches x 0.125 inches, 20 pages
    Publisher: Regency Arts Press
    ISBN: 0-9749037-5-2

    To order please visit Regency Arts Press