Josephine Meckseper

Born 1964 in Lilienthal, Germany; lives and works in New York, New York
 
EDUCATION
1990–92 MFA, California Institute of the Arts, Valencia, California
1986–90 Graduate Studies, Hochschule der Künste, Berlin

SOLO EXHIBITIONS
2011
Timothy Taylor Gallery, London (forthcoming)
The FLAG Art Foundation, New York
Josephine Meckseper: Contaminator, ARNDT, viewing room, Berlin 

2010
You Can Leave Your Hat On, Galerie Reinhard Hauff, Stuttgart
Josephine Meckseper , Elizabeth Dee Gallery, New York (catalogue forthcoming)

2009
Josephine Meckseper, Ausstellungshalle zeitgenössische Kunst Münster
Josephine Meckseper: Recent Films , Indianapolis Museum of Art, Indianapolis
Josephine Meckseper, John McWhinnie at Glenn Horowitz Bookseller, New York
Josephine Meckseper , Blaffer Gallery, The Art Museum of the University of Houston
american apparel , Nottingham Contemporary, Nottingham
Josephine Meckseper , migros museum für gegenwartskunst, Zurich (catalogue)

2008
New Photography 2008: Josephine Meckseper and Mikhael Subotzky, Museum of Modern Art,
New York
Josephine Meckseper , Arndt & Partner, Berlin
Josephine Meckseper , Elizabeth Dee Gallery, New York
Josephine Meckseper , Colette, Paris
Josephine Meckseper , GAK, Gesellschaft für Aktuelle Kunst, Bremen (catalogue)

2007
Josephine Meckseper, Kunstmuseum Stuttgart, Stuttgart (catalogue)
Josephine Meckseper , Galerie Reinhard Hauff, Stuttgart

2006
International Project Room, with Galerie Reinhard Hauff, ARCO 2006 Madrid

2005
%, Elizabeth Dee Gallery, New York (catalogue)
The Bulletin Board , White Columns, New York

2004
IG-Metall und die künstlichen Paradiese des Politischen, Galerie Reinhard Hauff, Stuttgart
(catalogue)

2003
Lustgarten, Borgmann Nathusius Galerie, Cologne

2001
Shine—oder Jedem das Seine, Galerie Reinhard Hauff, Stuttgart

GROUP EXHIBITIONS
2011
Gestamtkunstwerk: New Art from Germany, The Saatchi Gallery, London (forthcoming catalogue)
Geschmack: der gute, der schlechte und der wirklich teure, Kunsthalle Baden-Baden, Germany (catalogue)
Praxis, Elizabeth Dee Gallery, New York, NY
A Portrait of the Artist as a Young Man, Galerie Reinhard Hauff, Stuttgart
Sharjah Biennial 10: Plot for a Biennial, Sharjah Art Museum, United Arab Emirates, curated by Suzanne Cotter (catalogue)
Cover Girl, Galerie des Galeries, Paris (catalogue)

2010
Contemporary Magic, National Arts Club, New York, curated by Stacy Engman
The Right to Protest, Museum on the Seam, Jerusalem
The Exquisite Corpse Project, Gasser & Grunert Gallery, New York, curated by David Salle (catalogue)
Going International, FLAG Art Foundation, New York
Man Könnte es die Elastizität des Raumes nennen, The Forgotten Bar / Galerie im Regierungsviertel, Berlin
Peter Saville: Accessories to an Artwork, Glenn Horowitz Bookseller, East Hampton, New York
Shut Your Eyes in Order to See, Galerie Praz-Delavallade, Paris
Superfemmes, Rathausgalerie Kunsthalle, Munich
You’re Scripted, Gabriele Senn Galerie, Vienna (catalogue)
CONTACT Toronto Photography Festival , Museum of Contemporary Canadian Art,
Toronto (catalogue)
Changing the World, ARNDT, Berlin
Dere Freie Wille ist Eine Illusion , Forgotten Bar Project Berlin, curated by Claudia Seidel
2010, Whitney Biennial, Whitney Museum of American Art, New York, curated by Francesco
Bonami and Gary Carrion-Muriyari (catalogue)
My Brother, My Killer , Freymond-Guth & Co. Fine Arts, Zurich
The Library of Babel/In and Out of Place , 176 / Zabludowicz Collection, London
Contemplating the Void, Solomon R. Guggenheim Museum, New York
HomeLess Home , The Museum on the Seam, Jerusalem

2009
Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin, Berlin (catalogue)
Dance in My Experience , Kunstverein für die Rheinlande und Westfalen, Düsseldorf
1989. Spione. Mauer. Kinderheim – An Der Brücke Zwischen den Welten, Villa Schöningen, Potsdam, Germany
Morality: Beautiful from Every Point of View , Witte de With, Rotterdam (catalogue)
1989. End of History or Beginning of the Future? Comments on a Paradigm Shift , Kunsthalle Wien, Vienna; curated by Gerald Matt (catalogue)
Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University School of Art Gallery, New Haven (catalogue)
Learn to Read Art: A History of Printed Matter, Badischer Kunstverein, Karlsruhe; traveling to P.S.1 Contemporary Art Center, curated by AA Bronson
No Soul for Sale: A Festival of Independents, Galerie im Regierungsviertel/Forgotten Bar Project Berlin at X Initiative, New York
Narcotica , Galerie Im Regierungsviertel/Forgotten Bar Project Berlin, Basel
Extended. Sammlung Landesbank Baden-Württemberg , ZKM / Museum für Neue Kunst, Karlsruhe, Germany (catalogue)
FAX , The Drawing Center, New York; traveling to Contemporary Museum, Baltimore, Maryland; Plug In ICA, Winnipeg, Canada; Para/Site Art Space, Hong Kong; Torrance Art Museum, Torrance, California; Burnaby Art Gallery, Burnaby, Canada; Dowd Gallery, State University of New York, College at Cortland, Cortland, New York (catalogue)
Bildschön. Schönheitskult in der aktuellen Kunst , Städtische Galerie, Karlsruhe (catalogue)
MAN SON 1969. Vom Schrecken der Situation , Hamburger Kunsthalle, Hamburg
Living Together , Centro Cultural Montehermoso Kulturunea, Vitoria Álava, Spain; traveling to Museo de Arte Contemporáneo de Vigo, Spain, curated by Xabier Arakistain and Emma Dexter (catalogue)

2008                                                                                                                                                                                     Prospect.1 New Orleans, curated by Dan Cameron (catalogue)
Shrink-Wrapped , Or Belkin Satellite Gallery, University of British Columbia, Vancouver
Strange Connections: Art und Fashion , KUNST + PROJEKTE, Sindelfingen, Germany
Constellations , Artissima, Turin, Italy, curated by Stephanie Moisdon and Susanne Pfeffer
Alternating Beats , Museum of Art - Rhode Island School of Design, Providence
Asking we Walk, Voices of Resistance , Den Frie Udstillingsbygning, Copenhagen
Business As Usual , Museum of Contemporary Art Detroit, Detroit
That Was Then… This is Now, P.S.1 Contemporary Art Center, Long Island City, New York
Zidovi na ulici | Walls in the Street , Siemens Arts Program, MSUB, Museum of Contemporary Art, Belgrade (catalogue)
Common Affairs: Steirischer Herbst 2008 , Landesmuseum Joanneum, Graz, Austria (catalogue)
Vertrautes Terrain - Aktuelle Positionen in / über Deutschland , ZKM / Museum für Neue Kunst, Karlsruhe (catalogue)
Sculpture Is…, Arndt & Partner, Berlin, Germany

2007
Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York
Bare Life , The Museum on the Seam, Jerusalem (catalogue)
Nouvelles Acquisitions/Volet 1, FRAC Nord – Pas de Calais, Dunkerque, France
Brave New Worlds , Walker Art Center, Minneapolis, curated by Doryun Chong and Yasmil Raymond (catalogue)
From 60 to 7 , Henie Onstad Kunstsenter, Hovikodden, Norway, curated by Frank Lubbers
An Atlas of Events , Calouste Gulbenkian Foundation, Lisbon (catalogue)
Shadows in Paradise , FRAC Nord - Pas de Calais, Dunkerque, France
When We Build Let Us Think That We Build Forever , The Zabludowicz Collection, Baltic Centre for Contemporary Art, Gateshead, curated by Jérôme Sans
New York: States of Mind , Haus der Kulturen der Welt, Berlin; traveling to The Queens Museum of Art, Queens, New York, curated by Shaheen Merali (catalogue)
Resistance Is , Whitney Museum of American Art, New York, curated by Christina Kukielski
Rendición Extraordinaria/Extraordinary Rendition, NoguerasBlanchard, Barcelona
Second Moscow Biennale of Contemporary Art: Footnotes about Geopolitics, Market, and Amnesia , curated by Joseph Backstein, Daniel Birnbaum, Nicolas Bourriaud, Fuliya Erdemchi, Gunnar B. Kvaran, Rosa Martinez and Hans Ulrich Obrist (catalogue)
Just Kick It Till It Breaks , The Kitchen, New York, curated by Debra Singer and Matthew Lyons (catalogue)

2006
Media Burn, Tate Modern, curated by Emma Dexter, London
Josephine Meckseper, Eric Baudelaire, Adrian Piper, Wayne Gonzales , Elizabeth Dee Gallery, New York
The Unhomely: Phantom Scenes in Global Society, 2^nd International Biennial of Contemporary Art of Seville, Seville, curated by Okwui Enwezor (catalogue)
The Searchers, EFA Gallery, New York, curated by Molly Dilworth and Amoreen Armetta (catalogue)
USA Today , Works from the Saatchi Collection, Royal Academy of Arts, London; traveling to The State Hermitage Museum, St. Petersburg (catalogue)
Video America , The Hospital Gallery, London, curated by Neville Wakefield
Big City Lab , Art Forum Berlin, curated by Friederike Nymphius (catalogue)
Two Friends and So On , Andrew Kreps Gallery, New York
Trial Balloons , Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon, curated by Yuko Hasegawa, Agustin Perez Rubio and Octavio Zaya (catalogue)
Stephen Andrews, Marc Handelman, Josephine Meckseper, Tom Molloy, Steve Mumford, Barbara Pollock: This Ain’t No Fooling Around , Rubicon Gallery, Dublin
Whitney Biennial 2006: Day for Night , Whitney Museum of American Art, New York, curated by Chrissie Iles and Philippe Vergne (catalogue)
Cooling Out - On the Paradox of Feminism , Lewis Glucksman Gallery, University College, Cork, Ireland; concurrently exhibited at Halle für Kunst, Lueneburg, Germany; Kunsthaus Baselland, Muttenz/Basel, Switzerland (catalogue)

2005
Experiencing Duration, Biennale d’art contemporain de Lyon 2005, Lyon, curated by Nicolas
Bourriaud and Jérôme Sans (catalogue)
Schwarz Brot Gold - Die Neue Republik , Oldenburger Kunstverein, Oldenburg, Germany
Girls on Film , Zwirner & Wirth, New York
Bonds of Love , John Connelly Presents, New York, curated by Lisa Kirk (catalogue)
A.B.Normal , NYEHAUS, New York (catalogue)

2004
twinkle, twinkle, Galerie Reinhard Hauff, Stuttgart
Heimweh: Young German Art , London, Haunch of Venison, curated by Juliane von Herz
(catalogue)
The Future Has a Silver Lining: Genealogies of Glamour , Migros Museum für Gegenwartskunst, Zurich, curated by Heike Munder and Tom Holert (catalogue)
Dresscode , Kunstverein Neuhausen, Neuhausen/Fildern, Germany
American Idyll , Greene Naftali, New York

2003
Fuckin’ Trendy, Kunsthalle Nuremberg, Nuremberg, Germany, curated by Ellen Seifermann
(catalogue)
All That Glitters , Islip Art Museum, East Islip, New York
In the Public Domain , Greene Naftali, New York
Nation , Frankfurter Kunstverein, Frankfurt
Josephine Meckseper, Christoph Steinmeyer, Bernard Kahrmann , Elizabeth Dee Gallery, New York

2002
Bitch School, The Bronx Council on the Arts, New York, Longwood Arts Project, New York
Good Vibrations: Philip Argent, Marcy Freedman, Heribert Freidl, Josephine Meckseper, Galerie Jette Rudolph, Berlin

2001
Wine, Women & Wheels, White Columns, New York

2000
New New York, Texas Fine Arts Association, The Jones Center for Contemporary Art, Austin,
Texas, curated by Alejandro Diaz (catalogue)
Grok Terence McKenna Dead , Feature Inc., New York
Flea Market , Gavin Brown’s enterprise, New York
Wunderbar , Art Club Berlin at W139 Gallery, Amsterdam

1999
Overflow, D’Amelio Terras, Marianne Boesky Gallery and Anton Kern Gallery, New York,
curated by Caroline Schneider and Meg O’Rourke (catalogue)
Criss Cross: Some Young New Yorkers III , P.S.1 Contemporary Art Center, Long Island City, New York
Free Coke: Lines, Drawing and Paper , Greene Naftali, New York
Lifer , Cardozo School of Law Gallery, New York, curated by Kenny Schachter

1998
Super Freaks: Post Pop and the New Generation. Part 1: Trash, Greene Naftali, New York
Selective Affinities, Wahlverwandtschaften , New York Security Mini-storage, New York
Art Club Berlin , Art Forum, Berlin; Au Base, New York; Artistsspace W139, Amsterdam; curated by Klara Wallner

1996
Mixing Messages: Graphic Design in Contemporary Culture, Cooper-Hewitt, National Design
Museum, New York, curated by Ellen Lupton
Departure Lounge , P.S.1 Contemporary Art Center, Clocktower Gallery, New York
Summer Show , Greene Naftali, New York
Intervention: Tendenzen im Schatten der Stadtplanung , Stiftung Starke, Berlin (catalogue)

1995                                                                                                                                                                                    
Voyeurism, 450 Broadway Gallery, New York
Wheel of Fortune, Lombard-Fried Fine Arts, New York
Benefit Exhibition , American Fine Arts, New York
Alter Image, 450 Broadway Gallery, New York
On the Lamb, Thicket Gallery, New York
Geiselnahme, The Puck Building, New York (performance); Zum Goldenen Hirschen, Hamburg (exhibition)
Verisimilitude and the Utility of Doubt , White Columns, New York, curated by Bill Arning and Gregory Crewdson

1994                                                                                                                                                                                     This Is Your Home, Stuyvesant Town, New York, curated by Ania Corcilius
Page 5, 450 Broadway Gallery, New York
Agent Artist , P.S. 1 Contemporary Art Center, Long Island City, New York
Paranoid, M*Y*T*H Series at the Brewery , Los Angeles, curated by Sam Durant

1992                                                                                                                                                                                     Tattoo Collection, Andrea Rosen Gallery, New York; Galerie Daniel Buchholz, Cologne; Jennifer
Flay Gallery, Paris, organized by Air de Paris, Nice, and Urbi et Orbi, Paris

1990
Licht und Schein, KUBUS, Kunstverein Hannover Land, Hannover, Germany

1989
Neue Darmstädtler Sezession, Darmstadt, Germany
Grillen, Ohlauer Strasse, Berlin

SELECTED FILM FESTIVALS AND SCREENINGS
2011
Landmarks Video, University of Texas at Austin (upcoming)

2009
Hot or Cold, Haus der Kulturen der Welt, Berlin
Migrating Forms Film Festival, New York

SELECTED LECTURES AND SYMPOSIA
2011
"Josephine Meckseper on Hanne Darboven," Artists on Artists Lecture Series, Dia Art Foundation, New York, April 4

2010
"The Type," Andrea Rosen Gallery, New York, July 13
Whitney Contemporaries Gallery Talk with Gary Carrion-Muriyari, Elizabeth Dee Gallery, New
York, May 20
Contemporary Photography Forum, Museum of Modern Art, New York, March 18
Young Collectors Council, Guggenheim Museum, New York, February 19

2009
Indianapolis Museum of Art, Indianapolis, Indiana, December 10
University of Houston, Houston, Texas, November 12
Nottingham Contemporary, Nottingham, United Kingdom, July 28
“How Can Art be Political in a Free Market System?,” Rotterdam Dialogues: The Artists, Witte de With Center for Contemporary Art, Rotterdam, Netherlands, April 16-18 (catalogue)

2008                                                                                                                                                                                     Fundación/Colección Jumex, Mexico City, July 10

2007
Art Center College of Design, Pasadena, California, November 6

SELECTED PUBLIC COLLECTIONS
Museum of Modern Art, New York
Whitney Museum of American Art, New York
Solomon R. Guggenheim Museum, New York
Brooklyn Museum, New York
migros museum für gegenwartskunst, Zürich
Hammer Museum, UCLA, Los Angeles
The Saatchi Gallery, London
Kunstmuseum Stuttgart, Germany
Kunsthalle Bremen, Germany
DekaBank, Frankfurt, Germany
Landesbank Baden-Württemberg, Germany
FRAC Nord - Pas de Calais, Dunkerque, France
Van Dam Art Collection, Holland
Berezdivin Collection, San Juan

SELECTED BIBLIOGRAPHY
Monographs, Books and Exhibition Catalogues
2011
Chauveau, Bernard (editor), Cover Girl, Galerie des Galeries, Paris (exhibition catalogue).
Engman, Stacy, Contemporary Magic: A Tarot Deck Art Project, National Arts Club, New York (exhibition catalogue). New York: KLÜP Foundation, p.54.
On View, Worldwide, for the Month of...New York, Kunstverein NY, October.
Rancière, Jacques, A felszabadult nézo. Budapest: Mucsarnok - Kunsthalle, p. 22.
Saadawi, Ghalya (editor), interview with Rachel Hooper, Sharjah Biennial 10: Plot for a Biennial, Sharjah Art Foundation, United Arab Emirates (exhibition catalogue). Sharjah: Sharjah Art Foundation, pp. 437-442.

2010
Bonami, Francesco and Gary Carrion-Muriyari (editors), 2010, Whitney Biennial, Whitney
Museum of American Art, New York (exhibition catalogue). New Haven: Yale University Press.
Etgar, Raphie, The Right to Protest, Museum on the Seam, Jerusalem (exhibition catalogue). Jerusalem: Museum on the Seam.
Gray, Zoë, Miriam Kathrein, Nicolaus Schafhausen, Monika Szewczyk, Ariadne Urlus (editors), Rotterdam Dialogues: The Critics, The Curators, The Artists. Rotterdam: Post Editions and Witte de With, Center for Contemporary Art, pp. 216, 238, 265.
Lulic, Marko, art & film: curated by_vienna. Nürnberg: Verlag für moderne Kunst, pp. 90-95 (exhibition catalogue).
Pervasive Influence , CONTACT Photography Festival, Museum of Contemporary Art Toronto (exhibition catalogue).
Singer, Debra, Creamier: Contemporary Art in Culture: 10 Curators, 100 Contemporary Artists, 10 Sources. London: Phaidon.

2009
Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie Karlsruhe (exhibition
catalogue).
Dailey, Meghan (introduction), The Shape of Things to Come: New Sculpture. New York:
Rizzoli, pp. 490-511.
Dexter, Emma, 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich. London:
Thames and Hudson, pp. 314-319.
Extended. Sammlung Landesbank Baden-Württemberg, ZKM / Museum für Neue Kunst Karlsruhe (exhibition catalogue).
Gonzales, Erik, et. al, Infinitesimal Eternity—Images Made in the Face of Spectacle, Yale University School of Art Gallery (exhibition catalogue), edited by George Rush.
Hooper, Rachel, Sylvère Lotringer, and Heike Munder, Josephine Meckseper, Zurich: JRP|Ringier.
Jansen, Gregor and Thomas Thiel (editors), Vertrautes Terrain - Aktuelle Positionen in & über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (exhibition catalogue). Heidelberg: Kehrer Verlag; pp. 278.
Lotringer, Sylvère, Vitamin 3-D: New Perspectives in Sculpture and Installation. London: Phaidon Press, pp. 194-197.
Matt, Gerald, Cathérine Hug and Thomas Mießgang (editors), 1989. Ende der Geschicte oder
Beginn der Zukunft , Kunsthalle Wien and Villa Schöningen (exhibition catalogue). Nuernberg: Verlag für moderne Kunst Nürnberg (forthcoming).
Morality, Witte de With Center for Contemporary Art (exhibition catalogue)(forthcoming).
Müller, Vanessa Joan (editor), Béton Brut, Dance in My Experience, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (exhibition catalogue). Schwarzach am Main: Benedict Press, pp. 11-13, 59.
Neil, Jonathan T.D. (editor), FAX, The Drawing Center (exhibition catalogue). New York: The Drawing Center/Independent Curators International.
Rancière, Jacques, Der emanzipierte Zuschauer, trans. Richard Steurer. Vienna: Passagen Verlag.
Roth, Andrew and Phil Aarons (editors), In Numbers: Serial Publications by Artists Since 1955, New York: PPP Editions; pp. 51-52, 160-164.
Zeigen. An Audio Tour Through Berlin, Temporäre Kunsthalle Berlin (exhibition catalogue). Berlin: Temporäre Kunsthalle.

2008                                                                                                                                                                                     Andelkovic, Branislava, Marko Lulic and Thomas Trummer (editors), Zidovi na ulici | Walls in
the Street , Siemens Arts Program, MSUB, Museum of Contemporary Art (exhibition catalogue), pp. 70-75, 194.
Bloemink, Barbara, et. al, Prospect.1 New Orleans (exhibition catalogue), Brooklyn: Picturebox, pp. 238 – 241.
Hoff, James (editor), Top Ten: 1998-2008. New York: No Input Books, p. 304.
Holzwarth, Hans Werner (editor), Art Now Vol. 3. Cologne: Taschen, pp. 308-311.
Lotringer, Sylvère, Gabriele Mackert and Mona Schieren, Quelle International. Josephine Meckseper. Bremen: GAK.
Rancière, Jacques, Le spectateur émancipé. Paris: La Fabrique editions, p. 32, ill.
Schaschl, Sabine, Bettina Steinbrügge, René Zechlin (editors) Cooling Out - On the Paradox of Feminism, Kunsthaus Baselland, Muttenz/Basel, Switzerland (exhibition catalogue), Zürich: JRP|Ringier, cover and pp. 136-137.
Common Affairs: Steirischer Herbst 2008, Landesmuseum Joanneum, Graz: Edition Camera Austria (exhibition catalogue), pp. 95-103, 126.
Tresaco, Boyer, Best New York Art 2008. New York: Theredoom, pp. 18-19.
Weibel, Peter, Vertrautes Terrain - Aktuelle Positionen in & über Deutschland, ZKM / Museum für Neue Kunst, Karlsruhe (exhibition brochure), pp. 49, 226.


2007
Baudrillard, Jean, and Sylvère Lotringer (introduction), Forget Foucault. Los Angeles:
Semiotext(e), 2nd Revised Edition, cover ill.
Bourriaud, Nicholas, et. al., Second Moscow Biennale of Contemporary Art: Footnotes about Geopolitics, Market, and Amnesia (exhibition catalogue). Moscow: Artchronika, pp. 102-103.
Brand, Roy (editor), Bare Life, Museum on the Seam, Jerusalem (exhibition catalogue), pp. 81-78.
Enwezor, Okwui, Christian Hoeller and Marion Ackermann (editor), Josephine Meckseper. Ostfildern: Hatje Cantz Verlag.
Hooper, Rachel, “Satire and a Cynical Smile: Josephine Meckseper,” Brave New Worlds, Walker Art Center, Minneapolis (exhibition catalogue), edited by Doryun Chung and Yasmil Raymond, pp. 144-149.
Merali, Shaheen (editor), New York – States of Mind. Art in the City (exhibition catalogue), London: Saqi, pp. 116-119.
Ribeiro, Antonio Pinto, An Atlas of Events (exhibition catalogue). Calouste Gulbenkian Foundation, pp. 50-51.
Singer, Debra and Matthew Lyons, Just Kick It Till It Breaks, The Kitchen, New York (exhibition catalogue).

2006
Big City Lab, Art Forum Berlin (exhibition catalogue). Berlin: Messe Berlin GmbH.
Dailey, Meghan, Patricia Ellis and Norman Rosenthal, USA Today: New American Art from The Saatchi Gallery (exhibition catalogue). London: Royal Academy of Arts, cover and pp. 248-263.
Day For Night, Whitney Biennial 2006, Whitney Museum of American Art, New York (exhibition catalogue). New York: Henry N. Abrams, Inc.
Enwezor, Okwui (editor), The Unhomely: Phantom Scenes in Global Society, 2^nd International Biennial of Contemporary Art of Seville (exhibition catalogue). Seville: Fundación BIACS.
Lotringer, Sylvère, The Josephine Meckseper Catalogue No. 2 (exhibition catalogue), New York and Berlin: Sternberg Press.
Schmidt, Jason, Artists, Paris: Edition 7L., p. 14.
The Searchers, EFA Gallery, New York (exhibition catalogue).
Trial Balloons , Museo de Arte Contemporaneo de Castilla y Leon, MUSAC, Leon (exhibition catalogue).

2005
A.B.Normal, NYEHAUS, New York (exhibition catalogue).
Bonds of Love , John Connelly Presents, New York (exhibition catalogue). Canada: PAZAZZ.
Expérience de la durée , Biennale d’art contemporain de Lyon 2005 (exhibition catalogue). Paris: Paris Musées.
The Future Has a Silver Lining: Genealogies of Glamour , Migros Museum für Gegenwartskunst, Zurich (exhibition catalogue). Zurich: JRP-Ringier.

2004
Gandhi, Arun, et al., 2/15: The Day the World Said No to War. New York: Hello NYC; Oakland and Edinburgh: AK Press.
Heimweh: Young German Art, Haunch of Venison, London (exhibition catalogue).
Kelsey, John and Andrew Ross, The Josephine Meckseper Catalogue (exhibition catalogue). New York: Lukas & Sternberg.

2003
Fuckin’ Trendy, Kunsthalle Nuremburg (exhibition catalogue).

2000
New New York, The Jones Center for Contemporary Art, Austin, Texas (exhibition catalogue). Austin: Texas Fine Arts Association.

PERIODICALS, RADIO, AND TELEVISION
2011
"'Cover girl' à la Galerie des Galeries," À Nous Paris, February 14, p. 21
Madden, Kathleen, "Josephine Meckseper at FLAG Art Foundation," Artforum.com, Critic's Picks, March 31
Morse, Trent, "Josephine Meckseper: FLAG Art Foundation," ARTnews, Summer 2011, Volume 110, Number 7, p.121
Trembley, Nicolas, "Manifeste," Numero, August 2011, Volume 125
Ullrich, Wolfgang, "Die Hybris des Hyperdekorativen." Kunst und Kirche, February, pp. 16-19

2010
"Smoke and Mirrors," W, November, pp. 144-147
Hall, Emily, "Josephine Meckseper at Elizabeth Dee," Artforum, September, 329-330
Walleston, Aimee, "Josephine Meckseper / Elizabeth Dee," The Last Magazine, Fall, Issue #05
2010, Visionaire No. 57.
Belenky, Alexander, “Why Aren’t Artists Angry Anymore?,” The Atlantic, March 3.
Bradley, Bill, “A Sneak Peek at the Whitney Biennial,” VF Daily | Vanity Fair, February 25
Bodin, Claudia, “Got weiss, was Amerika im Schilde führt,” ART Das Kunstmagazin, February
25
Bodin, Claudia, “Immer shön laufen und trinken,” ART Das Kunstmagazin, March 5
Budick, Ariella, “Confronting the Void, Guggenheim, New York,” Financial Times, Arts: Design & Architecture, March 4.
“Capture,” Interview, March, p. 72.
Carrion-Muriyari, Gary and Josephine Meckseper, interview by Leonard Lopate, “2010 Whitney Biennial,” The Leonard Lopate Show, WNYC, April 16.
Chaillou, Timothée, "Apparaître Ici," L'art même 46, 1er Trimestre 2010, pp. 12-13.
Decker, Julia, and Lars Reichardt, “Hoffnung is für mich ein duboioser Begriff,” Süddeutsche Zeitung Magazin, No. 19, May 14, cover and poster insert.
Douglas, Sarah, and Andrew Goldstein, “Bustling Armory Opening Heralds Contemporary Art Market Resurgence,” ARTINFO, March 4
Eberle, Todd, “The Whitney 2010 Ambienalle,” VF Daily | Vanity Fair, February 24
Egan, Maura, “Fair Game | Playing it Safe at the Armory,” New York Times / T Magazine Blog, March 5
Gartenfeld, Alex, “2010,” Art in America Online, April 21
“Goings on About Town: Art,” The New Yorker, March 8
Goldstein, Andrew, Andrew Russeth and Amber Vilas, “Whitney Biennial 2010 Breakdown: The Outliers,” ARTINFO, February 23
Gopnik, Blake, “Art review: Blake Gopnik on 2010 Whitney Biennial, consumed with small
Change,” The Washington Post, March 4, p. C03
“Guggenheim artists fill ‘void’ with ideas,” France24, February 13
Halle, Howard, “Art Review: 2010 Whitney Biennial,” Time Out New York, Issue 753, March
4-10
Häntzschel, Jörg: "Ruhe bitte!: die Krise der amerikanischen Kunst bei der Whitney Biennale,"
Süddeutsche Zeitung, February 27.
Johnson, Ken, “Ahoy From Nudes, a Pirate and Scrooge McDuck,” The New York Times, March 4.
“Josephine Meckseper,” The New Yorker, Goings on About Town: Art
Laster, Paul, “Surveying the 2010 Whitney Biennial,” Flavorwire, February 26
Levin, Todd, “Whitney Biennial: The Voices of Silence,” Flash Art, No. 272, May/June, pp. 61-62.
McGarry, Kevin, “2010: A Small Odyssey,” Rhizome Front Page, March 10
“Meckseper im Whitney,” Stuttgarter Zeitung, February 2.
Monick, Dan, "She's got balls," PAPER, September, 112-127
Phillips, Lisa, “Whitney Biennial,” Interview, February, pp. 100-107
Pollack, Barbara, "Whitney Biennial: A Review of '2010'" ARTnews, Volume 109/Number 4, April 2010, pp. 104-105 Smee, Sebastian, “Whitney show is an anthem to the awful,” The Boston Globe, A&E, February 25
Smith, Roberta, “Creative Debate, Not Too Loud,” The New York Times, The Arts, June 2, pp. C1, C5
Smith, Roberta, “Take This Museum and Shape It,” The New York Times, Weekend Arts,
February 19, pp. C23, C27.
Szewczyk, Monika, “Josephine Meckseper: American Still Life,” Flash Art, No. 272, May/June, pp. 98-100.
Thorson, Alice, “Whitney Biennial art show keeps a smaller, tighter focus in 2010,” The Kansas
City Star , March 13.
Walker, Benjamen, “WhiBi Conversations: Film and Video,” WNYC Culture Blog, February 18.
Walleston, Aimee, “In the Style of Bonami/Bonami in Profile,” V Magazine Online.
Wilson, Michael, "Josephine Meckseper: The artist critiques contemporary America," Time Out New York, No. 770, July 1-7.
Winklbauer, Andrea, "Vom heissen Atem der Geschichte," Neue Zürcher Zeitung, Kultur, January
20.
Wolff, Sarah, “Best of the Whitney Biennial,” The Daily Beast, February 24.
Yablonsky, Linda, “Whitney Biennial Mishmash Serves Up Michael Jackson, Macrame,”
Bloomberg.com, February 25, www.bloomberg.com/apps/news?pid=20601088.
Yablonsky, Linda, “Women’s Work,” The New York Times Style Magazine, February 28, pp.
142-144.

2009
Ackermann, Tim, “Alles is kommerziell, alles ist politisch,” Welt am Sonntag, Kultur, November
8.
"Am Lack kratzen," St. Galler Tagblatt Gesamtausgabe, February 23.
"Björks Image-Designer," Annabelle, No. 3, February 4, p. 42.
Bodewein, Lena, “Widerstand erzeugen: Josephine Meckseper im Portrait,” ARD German
Radio Network, August 27.
Britt, Douglas, “Unsettling works are order of the day,” Houston Chronicle, September 11, E2.
Bugmann, Urs, "Unter dem Glanz klaffen die Abgründe," Neue Luzerner Zeitung Gesamtausgabe, February 23.
Buhr, Elke, "Drei Fragen an: Josephine Meckseper," Monopol. Magazin für Kunst und Leben, No.
4, April, p. 14.
Büsing Nicole & Klaas, Heiko, "Auf dem Pulverfass," kunstmarkt.com, April 21.
Danicke, Sandra, “Gnadenlos und schwarzweiß,” Frankfurter Rundschau, March 2.
"Das Spiel einer Doppelagentin," Zürichsee-Zeitung, Gegenwartskunst, April 20.
Dumas, Brittni, “Art. Love. Politics.” Envy Magazine Online, Houston Arts, September 30.
Fronz, Hans-Dieter, “Schönheit als Ware,” Badische Zeitung, May 7.
Giezendanner, Petra, "Krieg von seiner gestylten Seite," Art ensuite, April 3.
Glauner, Max, "Josephine Meckseper, Kapitalismuskritik reloaded," Kunstforum International,
No. 196, April/May, pp. 363-364.
Hess, Eva, "Wollt ihr die totale Kunst?," SonntagsZeitung, February 15.
"In Der Politischen Gefahrenzone," Züri Tipp, February 19.
"Josephine Meckseper," Active live, No. 4, April.
"Josephine Meckseper," Kunstmagazin, No. 3.
"Josephine Meckseper," likeyou, February 17.
Kaufman, Anthony, “’Migrating Forms’ at Anthology Film Archives,” The Village Voice, April 15.
Kobelt, Nina, "Reklamieren gegen die Reklame," News, February 23.
Krebs, Edith, "Alles geht fein säuberlich auf," Die Wochenzeitung, March 19.
Kucera, Andrea, "Kritik an Kapitalismus, Krieg und Konsum als Kunstform," Zürcher Landzeitung, February 28.
Marzahn, Alexander, "Kalt wie Chromstahl," Basler Zeitung, April 1.
McQuaid, Cate, “Videos, then and now, tell a story,” The Boston Globe, January 4.
Meckseper, Josephine, “Josephine Meckseper on Birkenstocks’ unearned radical rep,” TAR Magazine, No. 2, Spring, p. 118.
Meier, Philipp, "Strahlender Abglanz des amerikanischen Albtraums," Neue Züricher Zeitung, February 24.
“migrosmuseum | Josephine Meckseper,” Art-TV.ch, February.
Moser, Kati, "Politische Kunst einer starken Frau," Schweizer Illustrierte, March 23.
Müller, Sabine, “Hemmungslose Verführer – Austellung: Josephine Meckseper übt in Münster Kapitalismuskritik,” Münstersche Zeitung, No. 247, October 22, Kultur.
Powers, Bill, “Car Culture | Josephine Meckseper,” New York Times / T Magazine Blog, September 24.
Restorff, Jörg, "Austellungen im März," Kunstzeitung, March 5.
Richter, Peter, “Der Mann mit den Mädchen,” Frankfurter Allgemeine Sonntagszeitung, No. 5, February 1.
Santilli, Paula, “Crítica Realidad,” Semana, September 13-19, Culture, p. 22.
"Schaufenster-Kunst," Vanity Fair Germany, March 6.
Schindler, Felix, "Politische Kunst in gestylter Kulisse," Tages-Anzeiger, February 23.
Schroeder, Mariana, “A Video Artist’s Uncompromising Political Takes,” Wall Street Journal Online, March 26, Europe News.
Schwake, Vanessa, "Konsum trifft Krieg," GQ-Magazin.de, March 6.
Sherwin, Skye, "Josephine Meckseper," Art Review, Issue 30, April, p. 25.
Spampinato, Francesco, Arte e Crimini di Josephine Meckseper,” Impakt, No. 2, October.
Stevenson, Bob, “Josephine Meckseper,” The Front Row, KUHF Houston Public Radio, October 20.
“Subtile Analyse des amerikanischen Wertesystems: Künstlerin Josephine Meckseper stellt neue Werke in Münster aus,” Stadtmagazin Echo Münster Online, Kultur, October 22.
“Transatlantic,” Parkett, No. 85, June, pp. 34, 38.
Trieloff, Sabine, “Josephine Meckseper / Migros Museum, Zürich,” Vernissage.tv, February 27.
Ullmer, Brigitte, “Ich nehme der Kunst ihren Sonderstatus,” Du Magazin, No. 795, April, pp. 122-124.
Von Montgelas, Marie-Hélène, "Gib mir fünf! Tipps der Woche," art, February 20.
Wang, Michael, “Form and Function,” Artforum.com, April 10.
Wendland, Johannes, "Krieg und Konsum," Handelsblatt, February 27.
Wewer, Antje, “Die Schwarz-Weiß-Malerin,” Süddeutsche Zeitung, March 21.
Wiginton, Christina, “Prop Star,” HOUSTON Magazine, September, pp. 12 and 44.
“Wirtschaftskrise und Konsumrausch Die Kunst der Josephine Meckseper,” Kunst Raum Münster, No. 4, October-December, pp. 9, 21, and 24.
Wüst, Karl, "Keine Zukunft für alte Männer in Amerika," Thurgauer Zeitung and Der Landbote, February 26.
Wüst, Karl, "Kritischer Blick - mit Ironie versetzt," Schaffhauser Nachrichten, February 26.
Zimmer, Nina, "Meine Top 5 im Mai," Kunstmagazin, No. 5. 

2008                                                                                                                                                                                     Amado, Miguel, “An Atlas of Events. Calouste Gulbenkian Foundation” Artforum, February, p.
309.
Bayer, Helen,"FAT Magazine," Next Level, Edition 13, pp. 110-113.
Bodin, Claudia and Jürgen Frank, "New York und ich," Art (Germany), No. 10, October, p. 53.
Büsing, Nicole and Heiko Klaas,”The Erosion of the Symbolic, Josephine Meckseper,” Next Level, Edition 13, pp. 74-77.
Carlin, T.J., “Art review: ‘That Was Then...This is Now,’” Time Out New York, September 11-17.
Dany, Hans-Christian, "Josephine Meckseper," Springerin, No. 02, Spring, p. 57.
Gillick, Liam, "Josephine Meckseper," Interview, November, pp. 48-49.
Halle, Howard, "Josephine Meckseper," Time Out New York, May 15-21, p. 73.
Hildebranst, Tina and Heinrich Welfing, “Was tun wenn’s brennt?,” Zeit Magazin Leben, February 28, pp. 18-21.
Johnson, Ken, "Josephine Meckseper," The New York Times, May 16, p. E29.
Johnson, Ken, "Will the Revolution Be Museumized? Will There Be a Revolution?," The New York Times, July 25.
Jones, Kristin M., "Josephine Meckseper," frieze.com, May 8.
Judd, Flavin, "Josephine Meckseper," BOMBsite.com, December 11.
Kastner, Jeffrey, "Party Lines," Art and Auction, July.
Mummenhoff, Julia, "Ornament der Masse," Spike Art Quarterly, No. 15, Spring, pp. 123-124.
Probst, Carsten, "Zeitgeist-Rebellin," Deutschlandradio, February 16.
Raab, Jürgen, "Aktionen & Projekte," Kunstforum International, No. 193, September-October, p. 412.
Rosenberg, Karen, "Splitting a Gallery in Half to Focus on Social Strife," The New York Times, September 11.
Schirrmeister, Benno, "Kunst, so unromantisch, wie es nur geht," die tageszeitung, February 21.
Schneider, Konstantin, “Josephine Meckseper: Gewagtes Spiel/Going for Broke,” Berliner Kunstkontakter.
Spampinato, Francesco, “Arte e Crimini di Josephine Meckseper,” Impakt, No. 2, October.
"Steirischer Herbst 2008," Camera Austria, 102/2008, July.
"Untitled, 2008," herbst. Theorie zur Praxis, Graz: Steirischer Herbst, pp. 90-97.
Zhong, Fan, “New Photography 2008: Josephine Meckseper and Mikhael Subotzky,” Interview, September.

2007
Artnet Questionnaire, “Where is Josephine Meckseper,” artnet.de, September 20.
Amado, Miguel, “Just Kick It Till It Breaks,” Artforum.com.
Braun, Adrienne, “Die Demo als Deko,” Süddeutsche Zeitung, July 17, p. 13.
Bryan-Wilson, Julia, “Josephine Meckseper: Display; the female form and protest culture,” Frieze No. 105, March, p. 166.
Büsing, Nicole & Klaas, Heiko, “Josephine Meckseper,” artist kunstmagazin 72, February, pp. 22-27.
Büsing, Nicole & Klaas, Heiko, “Josephine Meckseper: Die Kunst der stilvollen Anarchie,” spiegelonline.de, July 14.
Carnevale, Fulvia and John Kelsey, “Art of the Possible: An interview with Jacques Rancière,” Artforum, March, p. 259.
Christofori, Ralf, Checkpoint, Jan - April 2007, pp. 60-69 (excerpt from Monopol, No. 04/2005).
Christofori, Ralf, “Schöne Ware Welt,” Der Tagesspiegel, August 12, p. 26.
Columbus, Nikki, “Previews: Josephine Meckseper,” Artforum, May, p. 206.
Cotter, Holland, “Just Kick It Till It Breaks,” New York Times, April 13, p. E34.
Cumming, Laura, “Go ahead and shock me," The Guardian (London), January 7.
Deepwell, Katy, "Social Feminism and the question of difference," n.paradoxa, Vol. 19, January, p. 94.
Diez, Georg, “Atelierbesuch: Josephine Meckseper,” ZEIT magazin Leben, 27/07, June 28, pp. 46-48.
Fox, Dan, “USA Today,” Frieze, No. 105, March, p. 183.
Frenzel, Sebastian, “Ich bin dann mal links,” Vanity Fair 07/29, July 12, pp. 112-115.
Genocchio, Benjamin, “Resistance Is...,” The New York Times, Museum and Gallery Listings, July 6.
Harris, Jane. “Art and Politics,” Artnet.com, August 29.
Herbert, Martin, “2nd Seville Biennial,” Frieze, No. 104, January/February, pp. 162-163.
Johnson, Ken, "Never Mind the Map: Sometimes New York City is More of an Idea" (Art
Review: New York States of Mind), The New York Times, December 12.
“Josephine Meckseper Ausstellung im Kunstmuseum Stuttgart,” arte Kultur, arte-televison, July 10.
“Josephine Meckseper Ausstellung im Kunstmuseum Stuttgart”, Nachtkultur, SWR 3-television, July 13.
Kedves, Jan, “Wäschetag,” Monopol, Magazin für Kunst und Leben, No. 6, June, pp. 68-75.
Knöfel, Ulrike, “Die Frau ist schwierig,” Der Spiegel 42/2007, October 15, pp. 182-183.
Kuni, Verena, “Josephine Meckseper im Kunstmuseum” Kunstbulletin, September 20, p. 60.
“Kunstmuseum in Stuttgart zeigt das Werk der Konzeptkünstlerin Meckseper,” tagesthemen, ARD-television, July 13.
Leisten, Georg, “Die Warenwelt verdaut ihre Kritiker,” Stuttgarter Zeitung, July 14, p. 33.
Léith, Caoimhín Mac Giolla, “Cooling Out,” Frieze, No. 105, March, pp. 180-181.
McElheny, Josiah, “Readymade Resistance,” Artforum, No. 6, October, pp. 331-332.
Meckseper, Josephine, “The Artists’ Artists,” Artforum, December, p. 132.
Meinhardt, Johannes, “Josephine Meckseper: In den Fängen der Konnotation,” Kunstforum International 188/07, July, pp. 431-432.
Merali, Shaheen, “Biennials/Survey Shows,” Frieze, No. 104, January/February, p. 125.
Peine, Sibylle, “Lob des Designer-Hammers,” Die Welt, August 3, p. 24.
“Portfolio,” Art on Paper, January/February, cover and pp. 44-45.
Reier, Sharon, “Contemporary Art: Follow the money,” Herald Tribune, January 27-28.
Rosenau, Mirja, “Sexy Stützstrümpfe,” Art, October, p. 89.
Rosenberg, Karen, “At Fairs by the Beach, The Sands of Creativity,” The New York Times, December 8, pp. A15, A19.
Sansom, Anna, “This city is a riot. Josephine Meckseper,” Sleek Magazine, No. 13, Winter 2006/2007, pp. 110-115.
Schumacher, Hajo, “Gefaehrliche Liebschaften,” Sueddeutsche Zeitung Magazin, February 9, pp. 8-9.
Ullrich, Wolfgang, “Der Duft der Kapitalismuskritik,” die tageszeitung, September 18, p. 21.
Widmann, Arno, “Den Durchblick simulieren,” Frankfurter Rundschau, August 3, p. 37.
Woeller, Marcus, “Der große Kunstrabatt,” die tageszeitung, July 23, p. 15.

2006
"Academy plans new US art showcase," BBC News, April 5.
Andrews, Max, “Trial Ballons,” Frieze, October, pp. 262-263.
“American Expressions,” Harper’s Bazaar, November, p. 112.
Baker, R.C., “Adrian Piper, Eric Baudelaire, Josephine Meckseper, Wayne Gonzales,” Village Voice, December 6.
Bollen, Christopher, “Adrian Piper, Wayne Gonzales, Eric Baudelaire, Josephine Meckseper,” New York Times, December 8.
Burn, Gordon, “Make it new,” Saturday Guardian, October 14, pp. 12-13.
Clayton, Richard, “Legends of the Fall,” The Sunday Times Culture Magazine, September 17, p. 10.
"Cool Feminists," Irish Arts Review, October, p. 35.
Coulson, Amanda, “Emerging Artists, Josephine Meckseper,” Modern Painters (London), March, pp. 60-62.
Dunne, Aiden, “This Ain’t No Fooling Around,” The Irish Times, April 7.
Eleey, Peter, “2006 Whitney Biennale,” Frieze, June-August, pp. 256-57.
Ellis, Patricia, “Catching up with Charles (Saatchi),” Flash Art, October, pp. 66-67.
Falconer, Morgan, “The States They’re In,” The Times 2, October 4, p. 15.
Gopnik, Blake, “Red, White and Bleak,” The Washington Post, March 2, p. C1.
Johnson, Ken, “Cady Noland Approximately,” The New York Times, May 12, p. E32.
Knöfel, Ulrike, “Die Zeitgeist-Rebellin,” Der Spiegel, July 10, pp. 126-127.
Lewis, Ben, “Private View,” Prospect, July, p. 60.
Lienhard, Tim, “Josephine Meckseper: Eine Deutsche bei der New Yorker Whitney Biennale,” Arte-televison (Germany, France), March 4.
Littlejohn, Georgina, “Academy feud,” Evening Standard (News Extra), May 11, p. 19.
Markovits, Benjamin, “Culture sculpture,” The Times Literary Supplement, November 3, p. 18.
McKeith, Eimear, “A war on the road to nowhere,” Dublin Sunday Tribune, April 16.
Meckseper, Josephine, "A Project for Atlántica." Atlántica Magazine, Summer, p. 78-89.
O'Brien, Treasa, "Cooling Out – on the paradox of feminism," Circa, No. 118, Winter, pp. 92-95.
Pisano, Hortense, "Bomben, Sexbomben überhaupt," die tageszeitung, September 19.
Porter, Charlie, “Demand Economy,” GQ Style: Luxury Edition, Autumn/Winter.
Reynolds, Nigel, “Saatchi is ready for another sensation at the RA” Daily Telegraph, April 4.
Rosenberg, Karen, “Ready to Watch,” New York Magazine, February 27, pp. 46-48.
Scott, Andrea, “Exhibit A-list,” Time Out New York, February 23-March 1, pp. 16-22.
Scott, Andrea, “Josephine Meckseper, ‘%’,” Time Out New York, January 12-18, p. 58.
Sholis, Brian, “Josephine Meckseper,” Artforum, February, pp. 111-112.
Smith, Roberta, “Josephine Meckseper,” The New York Times, January 6, p. E34.
Spiegler, Marc, “American Renaissance,” The Art Newspaper, No. 171, July-August, p. 32.
“USA Today: New American Art from The Saatchi Gallery,” The Week, October 14, p. 31.
Von Burg, Dominique, “Im Taumel vielfaeltiger weiblicher Lebensentwuerfe,“ Kunstbulletin, cover and pp. 36-47.
Ward, Ossian, “Young Americans,” DB Artmag No. 38, October, p. 13.
Wullschlager, Jackie, “An Ad-man’s Snapshot of America,” Financial Times, October 9, p. 11.

2005
Ammirati, Domenick, “Critics’ Picks: Bonds of Love,” Artforum.com, September.
Christofori, Ralf, “Josephine Meckseper,” Monopol, Berlin, August, p. 22-33.
Doran, Anne, “‘Girls on Film’: Zwirner & Wirth,” Time Out New York, September 1–7, p. 57.
Egan, Maura, “Au Courant,” New York Times Style Magazine, November, p. 26.
“Experiencing Duration, Biennale d’art Contemporain de Lyon, 2005,” Flash Art, December, pp. 97-98.
Kurbjuweit, Dirk, “Putsch gegen die Wirklichkeit: Gerhard Schröder will das Wahlergebnis nicht akzeptieren,” Der Spiegel, 39, September 26, p. 165.
Meckseper, Josephine, “Top Ten,” Artforum, Summer, p. 142.
“Neue Kunst,” Berliner Zeitung, September 29, pp. 1, 34 and cover.
Studer, Margaret, “Autumn Is for Art Fairs,” The Wall Street Journal Europe, September 23–25, cover and p. 1.

2004
Gopnik, Blake, “Studio Visit: The Artist at Home with Contradictions,” The Washington Post,
April 13, pp. C1, C7.
Harrison, Sarah, “Heimweh: Young German Art,” Art Monthly, October.
Herbert, Martin, “Heimweh: Young German Art,” Time Out London, September 29–October 6.
Mayer, Gabriele, “Frauen brauchen schusssichere Kleider,” Frankfurter Allgemeine Zeitung, January 14, p. 33.
Ross, Andrew, "Low Pay, High Profile," The New Press.
Zimmermann, Annina, “The Future Has a Silver Lining: Genealogies of Glamour,” Springerin 3, p. 69.

2003
Ammirati, Domenick, “Critics’ Pick: Josephine Meckseper,” Artforum.com, May–June.
Appel, Stefanie, “Volkskunst,” Prinz (Frankfurt), May 30.
Buhr, Elke, “Auf dem Meldeamt,” Frankfurter Rundschau, May 15.
Christofori, Ralf, “Die verlorene Heimat der Lara Croft,” Potsdamer Neueste Nachrichten, July 8.
Pisano, Hortense, “Globale und lokale Zeichentraeger,” TAZ (Berlin/Frankfurt) June 5, p. 17.
Reed, John, “Editor's Choice: Josephine Meckseper,” Bomb, Summer/Fall, p. 20.
Urban, Regina, “Designerkleider als feuerfester Schutzanzug,” Nuernberger Nachrichten,
December 10, p. 27.
Verwoert, Jan, “Nation-Stereotyen en iconen van het globalisme,” Metropolis M 4, p. 157.

2002
Albers, Markus, Welt am Sonntag (Berlin), September 22, p. 53.
Christofori, Ralf, “Pop-politische Wahlversprechen,” Frankfurter Allgemeine Zeitung, January 5.
Feist, Silvia, “Radikales Flimmern,” Vogue (Germany), February, p. 132.

2001
“Verkitschte Flagge,” Stuttgarter Zeitung, November 20.

2000
Chaplin, Julia, “They Like it Like That,” Smock (New York), November, p. 40.
“Fette Welt,” Marie Claire (Germany), February, p. 21.
Freund, Michael, “Feuer unterem Hintern, Nummerngirls in Glitzerwaesche," Der Standard (Vienna), January 8, Album section, p. 5.
Schachter, Kenny, “Lifer,” Zing magazine, Spring/Summer, p. 249.
Schmidt, Jason, “Beds,” Flaunt, December/January.

1999
“Criss Cross: Some Young New Yorkers III,” Zing magazine (New York), Winter, p. 5.
Levin, Kim, “Overflow,” The Village Voice (New York), August 3, p. 72.
“Mob Rule: Material and Narrative," New York Arts Magazine 32, April 7.
"Pop Art," New York Post, March 30, p. 6.
Smith, Roberta, "Free Coke," The New York Times, February 26, p. E41.